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- Video: “Sohrab Modi’s ‘Sikandar’ (British India, 1941) and Carmine Gallone’s ‘Scipione l’Africano’: Plundering Footage from a Fascist Film” [Paper Delivered at the Antiquity in Media Studies Conference (December, 2021)]
- New Zealand’s Ancient Rome in ‘Thor: Ragnarok’ (Taika Waititi, 2017) and “‘STARZ Spartacus’ (2010-2013).
- Greek and Latin References in Netflix ‘Versailles’ (Season 3)
- References to Ancient Greece in Netflix ‘Versailles’ (Season 2).
- Greece and Rome in Season 1 of Netflix ‘Versailles’ (2015/16).
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Tag Archives: James Marsters
‘Gladiator’ (Scott, 2000) and the ‘Buffy the Vampire Slayer’ (Whedon, 2004) Series Finale ‘Chosen’
Main points: The final episodes of Buffy the Vampire Slayer, season 7, borrow soundtrack elements from Hans Zimmer’s film score for Gladiator (Ridley Scott, 2000). The series finale combines musical parallels to, recognizable quotations from and a culminating battle that draws … Continue reading
Posted in and Popular Culture, Buffy the Vampire Slayer, Cinema, Classics, Classics and television, Gladiator (Scott 2000), Joss Wheedon, Reception, Ridley Scott
Tagged 'Chosen', 'The Final Fight' soundtrack, 'Touched', Buffy, Buffy the Vampire Slayer, BVS, BVS series finale, Classics, Commodus, Gladiator, Gladiator (2000), Hellmouth, James Marsters, Joss Wheedon, Reception, Ridley Scott, Rob Duncan, Robert Duncan, Sarah Michelle Gellar, Spike, Spuffy
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Centuries Coexist 